supported by 4 fans who also own “Call Me When It's Over”
Like the softly imposing architecture of an art museum, it echoes traces of their previous albums by treading new grounds in familiar ways. Phenomenal. (Too hard to pick a favorite.) Comrade Tiki
supported by 4 fans who also own “Call Me When It's Over”
A concise little EP on a barebones vinyl. This album touched me very differently than their previous works; I was in a different space, but it also doesn't seem to lean so heavily on ideas about relationships, breakups, and loneliness (returning to those notably in a cover of Cher's "Believe" as the closing track). Guest Room, the title track, deals with death, aging, and adult responsibilities, which are ideas much more close to me. jammingdevice
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow. Bandcamp New & Notable Apr 28, 2024
The London band's new album is a vibrant postcard from southern Italy, boosted by brass, strings, and pizzica percussion from local players. Bandcamp New & Notable Apr 14, 2024
supported by 4 fans who also own “Call Me When It's Over”
This is what I remember emo and pop punk music *sounding* like in the 90s and 2000s, but not what it actually sounded like. basking in the glow is an emotionally mature update of those times, and much appreciated. thepirc